![]() Consider using Secure Shell, VNC or VPN, if you want to maintain the MariaDB server from another host inside/outside your network. Warning: This is not considered as best practice and may cause security issues. You will still be able to log in locally as before, but only using Unix sockets. To do this, add the following line in /etc/my.cnf.d/server.cnf: If MariaDB is only needed for the localhost, you can improve security by not listening on TCP port 3306, and only listening on Unix sockets instead. ![]() This will bind to both 127.0.0.1 and ::1, and enable MariaDB to receive connections both in IPv4 and IPv6.Įnable access locally only via Unix socketsīy default, MariaDB is accessible via both Unix sockets and the network. In order to restrict MariaDB to listen only to the loopback address, add the following line in /etc/my.cnf.d/server.cnf: Listen only on the loopback addressīy default, MariaDB will listen on the 0.0.0.0 address, which includes all network interfaces. To prevent MySQL from listening on an external interface, see the #Listen only on the loopback address and #Enable access locally only via Unix sockets sections. Warning: After running this, please note that TCP port 3306 will still be open, but refusing connections with an error message. The mariadb-secure-installation command will interactively guide you through a number of recommended security measures, such as removing anonymous accounts and removing the test database: ![]() $ mariadb-tzinfo-to-sql timezone_file timezone_name | mariadb -u root -p mysql Optionally, you may populate the table with specific time zone files: $ mariadb-tzinfo-to-sql /usr/share/zoneinfo | mariadb -u root -p mysql To populate the time zone tables with all the time zones: They need to be populated if you are planning on using CONVERT_TZ() in SQL queries. Stop rvice, mount /var/lib/mysqltmp/ and start rvice.Īlthough time zone tables are created during the installation, they are not automatically populated. Tmpfs /var/lib/mysqltmp tmpfs rw,gid=mysql,uid=mysql,size=100M,mode=0750,noatime 0 0Īdd to your /etc/my.cnf.d/server.cnf file under the mysqld group: For example, it is used to perform disk based large sorts, as well as for internal and explicit temporary tables.Ĭreate the directory with appropriate permissions:Īdd the following tmpfs mount to your /etc/fstab file: The directory used by MariaDB for storing temporary files is named tmpdir. See #Maintenance to optimize and check the database health. Changing the character set does not change existing table formats, only newly created tables, and the protocol interaction that fetches data. Īppend the following values to the main configuration file located at /etc/my.cnf.d/my.cnf: UTF8MB4 is recommended over UTF-8 since it allows full Unicode support.Users using the default (character) settings may want to skip this section. The mariadb package already uses utf8mb4 as charset and utf8mb4_unicode_ci as collation.See this entry of the Knowledge Base for more information. cnf extension to ensure that upgrades preserve your configuration.ĭepending on the scope of the changes you want to make (system-wide, user-only.), use the corresponding file. MariaDB configuration options are read from the following files in the given order (according to mysqld -help -verbose | tail -20 output):Ĭreate a configuration file in /etc/my.cnf.d/ with a. MariaDB> GRANT ALL PRIVILEGES ON mydb.* TO quit # mariadb -u root -p MariaDB> CREATE USER IDENTIFIED BY 'some_pass' In the below example, the user monty with some_pass as password is being created, then granted full permissions to the database mydb: To log in as root on the MariaDB server, use the following command:Ĭreating a new user takes two steps: create the user grant privileges. Once you have started the MariaDB server and added a root account, you may want to change the default configuration. ![]() To simplify administration, you might want to install a front-end. Note: Before continuing, it is recommended to improve the initial security of MariaDB installation. ![]()
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![]() ![]() Previously, we've learned that Patti LuPone, Aubrey Plaza and Joe Locke are attached to Agatha: Coven of Chaos. Oh, and even though cast is not supposed to dish details, Rupp talked about production, saying "we’ve shot in LA, and I’m packing now as we speak, to go to Atlanta for two months to continue shooting." So, the series could take place during a different century, or told through the lens of multiple flashbacks so that the audience – us – can catch up with her history and lineage. I first bought a flat iron from Brilliance New York in 2014 My iron lasted me almost a decade and my replacement was sent in less than a week I’m super happy with my purchase and I am SO excited to use my new iron for another decade (: Date of experience: March 02, 2022. But what exactly is Agatha's backstory that makes her worthy of a spinoff, albeit a limited one?įor one, she's lived for centuries and her origin story dates back to the Salem Witch Trials. Shop Brilliance New York in Las Vegas, NV at Grand Canal Shoppes at The Venetian Resort Las Vegas Your source for all that glitters in beauty: professional. Last we saw Agatha Harkness, she was yet a prisoner of the mental prison Wanda created. “We will continue to forge new partnerships and introduce innovative solutions that push the boundaries of display technology.Outlook: What should we expect from Agatha's Coven of Chaos?Īt this point, it's not yet clear whether the spinoff will kick off where the Scarlet Witch left off or if we would be traveling further into the past. ![]() The worlds biggest brands have picked us to take care of their customers, and the. Brilliance New Yorks popular diamond flat irons arent encrusted with jewels the company utilizes the brilliant stones in a much more practical way, infusing. Titanium flat iron, Ion 1 Inch 450° Diamond, Anti-Static, frizz Free Hair Straightener. Brilliance, New York, diamond iron, curling wand/ curling iron. Its pretty amazing being a part of Transcom. ![]() “We are truly honored to showcase Park Seo-Bo’s extraordinary work through The Wall All-in-One, which beautifully highlights the artist’s mastery of color and texture,” said Hoon Chung, Executive Vice President of the Visual Display Business at Samsung Electronics. Brilliance New York Mens Moisturizing Emulsion. Visitors at the Rockefeller Center will have the unique opportunity to see more than 40 pieces of Park’s artwork, including the digital exhibition on The Wall All-in-One, until July 23. ![]() The exhibition also features a media room with Samsung’s 85-inch Neo QLED 8K Signage (QPA-8K model), which presents Park’s artistic process through a series of videos and documentaries, providing viewers with a comprehensive overview of the artist’s unique vision and creative journey. Display Disney and Pixar’s New Film ‘Elemental’ To Show in 4K HDR on Samsung Onyx Cinema LED Screens ![]() ![]() ![]() ![]() The great way to build a free light wrap in After Effects is to duplicate the foreground layer and apply the light wrap with the “View” set to “Wrap Solo”.
![]() ![]() Amélie received great critical acclaim and was a box-office success. In two weeks, Tiersen composed nineteen pieces for the film and also allowed the production to take anything they wanted from his other records. Jeunet bought all of Tiersen’s albums, and then contacted him to see if the Breton composer was interested in writing the film score for Amélie. French film director Jean-Pierre Jeunet had something else in mind for the film score, but one day one of his production assistants put on a CD of Tiersen, and the director found it absolutely superb. Tiersen remained relatively unknown outside France until the release of his score for the acclaimed film Amélie (Original French title: Le Fabuleux Destin d’Amélie Poulain, English: The Fabulous Destiny of Amélie Poulain) in 2001. Tiersen also featured on The Divine Comedy’s single “Gin Soaked Boy” released on that same year, and on three tracks for Françoiz Breut’s second studio album Vingt à Trente Mille Jours (English: Twenty to Thirty Thousand Days), and on Têtes Raides’ Gratte-poil, both released in 2000. In 1999, Tiersen together with The Married Monk, Claire Pichet, and Olivier Mellano released his first collaboration album, Tout est calme. During that period, he also recorded songs for the soundtrack of several films, including the award-winning and multi-nominated film The Dreamlife of Angels (French: La Vie rêvée des anges) (1998), André Téchiné’s Alice et Martin (1998), and Christine Carrière’s Qui plume la lune? (1999). Tiersen provided a new arrangement and played strings, vibraphone, bell, the mandolin, the electric guitar and bass guitar for the song “À ton étoile” by French rock band Noir Désir which was featured on their 1998 remix album One Trip/One Noise. Tiersen rose to domestic fame upon the release of his third studio album, Le Phare (The Lighthouse) in 1998. Tiersen usually plays most of the music instruments himself during both studio recording sessions and his live sets he has won theatrical appeal as a one-man show and was invited to play, among others, at the 1996 edition of the Avignon Festival, the oldest live arts festival in France. The title track, sung by French solo singer Claire Pichet, was used the following year for the Palme d’Or nominated French drama film The Dreamlife of Angels. In April 1996, one year later, he released Rue des cascades, a collection of short pieces recorded with a toy piano, a harpsichord, a violin, a piano accordion, and a mandolin. Tiersen’s debut album, La Valse des monstres, limited to 1,000 copies, was first released in June 1995 by independent record label Sine Terra Firma, and then reissued by Nancy-based record label Ici d’ailleurs in 1998 as the second album of its catalogue. By the end of the summer, Tiersen had recorded over forty tracks, which would most be used later on for his first two albums. During the summer of 1993, Tiersen stayed in his apartment with an electric guitar, a violin, and a piano accordion, recording music on his own. A few years later, when his band parted, Tiersen bought a cheap mixing desk, an 8-track reel-to-reel tape recorder, and started recording music on his own with a synthesiser, a sampler, and a drum machine.īefore releasing film scores under his own name, Tiersen recorded background music for a number of plays and short films. That gave him the opportunity to see acts like Nirvana, Einstürzende Neubauten, Nick Cave and the Bad Seeds, The Cramps, Television, and Suicide. Tiersen was living in Rennes back then, home to the three-day music festival Rencontres Trans Musicales, which is held annually in December. When he was 13, he broke his violin, bought an electric guitar, and formed a rock band. In the early 1980s, he was influenced as a teenager by the punk subculture, and bands like The Stooges and Joy Division. He started learning to play the piano at the age of four, the violin at the age of six, and received classical training at several musical academies, including those in Rennes, Nantes, and Boulogne-sur-Mer. Tiersen was born on June 23, 1970, in Brest, in the department of Finistère, part of Brittany in northwestern France, into a French family of Belgian and Norwegian origins. Yann Tiersen (born June 23, 1970) is a French-Breton musician and composer, whose musical career is divided among studio recordings, music collaborations, and film soundtracks songwriting, incorporating a large variety of classical and contemporary instruments, primarily the electric guitar, the piano, synthesizers, and the violin, but also instruments such as the melodica, xylophone, toy piano, harpsichord, piano accordion or even typewriter. ![]() ![]() The very idea of sitting down and listening to a long-playing record from beginning to end, giving its narrative arc your undivided attention, feels like a daunting feat of endurance in an era of multiple distractions. MTV’s video culture making the single the event once more the internet and its attendant capacity for streaming and cherry-picking playlists… For some years, it has been commonplace to declare that the LP is in decline, while these days albums are seemingly released to promote tours, rather than vice versa.Ĭertainly, it’s unlikely that the album will ever regain its old primacy. ![]() However, they did benefit classical music artists such as Górecki, Tavener and Arvo Pärt, offering the possibility of extended, immersive experiences in the post-rave ambient era. Reissues suddenly became encumbered with extras and outtakes, add-ons to the original, carefully-sequenced LP experience. ![]() Meanwhile, the 80-minute storage capacity allowed artists to get away with double-LP-style indulgences overĪ single disc. The arrival of CDs in the mid-80s was a mixed blessing: their smaller format meant a diminution of artwork if not of scope. And yet post-punk made huge additions to the album canon, from PiL’s Metal Box to Wire’s 154, Joy Division’s Closer to The Human League’s Dare. Punk blasted that conceit: the terse, three-chord 7” had come to drive out the gatefold-sleeved double album. Progressive rock took the album format to the edge of pomposity, eschewing the pop single as puerile and ephemeral. In the early 70s, Stevie Wonder made a series of synth-based albums whose innovation was foundational for future R&B. Pink Floyd, The Who, and The Velvet Underground also made LPs informed by a conscious, art school sensibility.īy the 70s, soul artists, led by Marvin Gaye, were breaking away from the 60s hit factories. The Beatles retreated to the studio, ostensibly because of the futility of playing live but also to mark their transition from pop sensations to artists, making the most of studio technology to expand their songwriting palette, offering a listening experience that was literary, formally adventurous and sonically colourised. To play the album right through to closing track Caroline No and the mournful toll of the train bell at its fadeout, is to feel this. The Beach Boys’ Pet Sounds marked the passage from surfer innocence to a more adult, introspective consciousness borne of experience. Other artists such as Charles Mingus, Eric Dolphy and John Coltrane would go on to be defined as much by their album releases as their playing.īy the 60s, rock’n’roll became less of a 45rpm jukebox experience thanks to the arrival of a new generation of visionary composers such as Lennon & McCartney, Brian Wilson and Bob Dylan. ![]() Two years later, he released Kind Of Blue, a masterpiece of modal jazz which demonstrates that the long-player wasn’t merely a matter of quantity that it provided a cumulative experience greater than the sum of its tracks. Miles Davis pulled together sessions from 19 into the retrospective statement of intent that was 1957’s The Birth Of The Cool. Artists like Thelonious Monk and Charlie Parker demanded a new level of attentiveness. Jazz, meanwhile, was undergoing its own postwar evolution, graduating in seriousness, no longer just the stuff of dancehall entertainment. Its songs are like chapters dealing with different themes concerning the downside of romance – no wonder it has been described as the first “concept” album. Its cover art, featuring a lonesome Sinatra on a street corner swathed in a blue half-light, could have appeared on the front of a paperback novel. Bing Crosby, who was at the forefront of various 20th century music technologies, from the microphone to magnetic tape, was among the first artists to see his work appear on album format – Crosby Classics, a collection of his 30s recordings released by Columbia.įrank Sinatra took it further, understanding the narrative potential of the LP on In The Wee Small Hours (1955). However, it wasn’t long before more popular artists saw the potential of LPs. When the first long-playing record was introduced by Columbia Records at a press conference in New York’s Waldorf Astoria in 1948, it was considered primarily as a boon for selling classical music, whose long form had been ill-suited to the 78rpm format – the first ever long-player was a recording of a Mendelssohn concerto. ![]() ![]() Priests of R'hllor believe that "life is warmth, and warmth is fire, and fire is God's and God's alone." When a person has died, he is said to have "ascended to the Hall of Light, to sit beside the Lord". Following the ceremony is the wedding feast. Following this, the groom removes the maiden's cloak and places the bride's cloak around the bride's shoulders. Bride and groom are to leap over the ditchfire together, to emerge as one. ![]() Both bride and groom are asked whether they will share their fire with their spouse-to-be, to warm him/her "when the night is dark and full of terrors". The bride is escorted to the priest, who first asks the bride to identify herself, and next asks who comes to claim the bride. The priest and groom await the bride by a ditchfire. Marriage customsĭuring one example of a wedding ceremony, a red priest or priestess recites ceremonial prayers, which are answered by the wedding guests. Response: For the night is dark and full of terrors. Strike him down if he is guilty, and give strength to his sword if he is true. Show us the truth or falseness of this man. Response: Lord of Light, shine your face upon us.Ĭall: Light your flame among us, R'hllor. Ĭall: Lord of Light, protect us in the darkness. A common phrase of prayer is "the night is dark and full of terrors". Other priests might attend to their fires during the entire night. Fires are also lit each morning at first light, where the red priests welcome the sun. The nightfires are lit at sunset, and the prayers continue for more than an hour afterwards. Practices Prayersįollowers of R'hllor pray before a nightfire, thanking R'hllor for ending the day, while beseeching him to bring the dawn and banish the darkness. Many worshippers in Volantis pin scraps of red cloth to their sleeves or tie them around their brow. The Volantene temple also trains some of their slaves to become temple prostitutes. The Fiery Hand are a thousand slave soldiers who guard the Temple of the Lord of Light. Red priests from other places, such as Thoros or Melisandre, are not known to have such tattoos. As is the custom of that city, the red priests of the Volantene temple, all slaves, have flames tattooed across their cheeks, chin and forehead. īenerro, the High Priest of R'hllor in Volantis, also holds the titles Flame of Truth, Light of Wisdom, First Servant of the Lord of Light, and Slave of R'hllor. Thoros, a priest from Myr, states he was given over to the red temple as a young child. Whether this is also the case at temples in other cities is unknown. All those who serve there are slaves who were bought as children and trained. The Temple of the Lord of Light in Volantis has been called the greatest temple in the known world. Red priestess performing the night ritual by Jen Zee© The priests of the Lord of Light wear loose red robes. ![]() Numerous priests, both male and female, are trained in their red temples. It takes many years of training to see the shapes beyond the flames, and even more years to learn how to interpret them. Red priests are taught prayers and spells, and are trained to see things in fires. Red priests can be found in Dorne, Dragonstone, King's Landing, and Oldtown. There are few followers of the Lord of Light in Westeros. According to Archmaester Gramyon, it is about three times the size of the Great Sept of Baelor in King's Landing. The Temple of the Lord of Light in Volantis is exceptionally large, said to be the greatest in all the world. The town of Selhorys, ruled by Volantis, contains a red temple as well. R'hllor is worshipped in Asshai and red temples can be found in most of the Free Cities, including Braavos, Lys, Myr, Pentos, Qohor, Tyrosh, and Volantis. The religion of the Lord of Light is found primarily in Essos. According to the priestess Melisandre, the Lord of Light cherishes innocent and beautiful people and items, making them the most precious sacrifice. ![]() They see shadows as creations of the Lord of Light, who are the servants of light and the children of fire. The red priests of R'hllor associate fire with life. His nemesis, the Great Other, whose name may not be spoken, is known as the Lord of Darkness, the Soul of Ice, the God of Night and Terror. R’hllor is also called the Lord of Light, the Heart of Fire, the God of Flame and Shadow. They are locked in an eternal struggle over the fate of the world a struggle that, according the ancient prophecies from the books of Asshai, will only end when Azor Ahai, the messianic figure, returns wielding a flaming sword called Lightbringer, the Red Sword of Heroes, and raises dragons from stone. The religion is based on a dualistic, manichean view of the world: R'hllor, the god of light, heat, and life, and R'hllor's antithesis the Great Other, the god of ice and death. ![]() ![]() Today, 70 years after its birth, the AK-47 remains one of the most widely used weapons around the globe due to its reliability, price, and powerful ammo.Īccording to Oxford University research, about 100 million Kalashnikov rifles exist in the world today, 75 percent of which are AK-47s.Ĭheck out the way the gun shoots in slow motion on this Youtube video. JMac Customs 360 Face KeyMount & KeyMicro Muzzle Brake - 26-1.5LH. One of the main features of the rifle was its ability to work in all weather conditions from -40 to +60℃, even after heavy rain and dust storms. Spike's Tactical AK-47 Dynacomp Muzzle Brake - 14x1 LH. It was the first semi and fully automatic 7.62x39mm assault rifle in the country with a magazine capacity of 30 rounds and an effective range of 800 meters. However, the core design aspects of the AK-47 survived and were passed onto future models. So both of these features were not continued,” Vadim Kozulin, a professor from the Academy of Military Science, told Russia Beyond. 99 View product Mini Tantal Tanker Muzzle Brake 29. Flash suppressor, muzzle brake, compensator, flash hider for AK Vepr and Saiga of different caliber buy at factory price. And that metal stock badly affected the accuracy of the gun. The Draco AK47 Pistol barrel has an integral front sight and gas tube. The military command decided there was no need for this muzzle break as the sound pressure was too high. “All of these practical features were eliminated after military tests. Its performance is matched only by the amazing look of this device. Each also had a non-detachable muzzle break, which would later become detachable 30 years later on the AK-74 series. This is a true combination muzzle brake / compensator / flash hider. ![]() Obvious aesthetic differences: The first guns had folding metal stocks, which were later replaced with wooden ones. 3 different muzzle brakes, standard slant, slotted and a 3rd Show more. ![]() But the iconic rifle we know today differs considerably from this early model. The first batch of AK-47 submachine guns rolled off the production line in 1948 before being put through rigorous military testing. ![]() ![]() To his team in Action Aviation, he was a guide, an inspiration, a support, and a Living Legend." "Hamish Harding was a loving husband to his wife and a dedicated father to his two sons, whom he loved deeply. “Today, we are united in grief with the other families who have also lost their loved ones on the Titan submersible," the statement read. We extend our heartfelt condolences to the family, colleagues, friends, and all those around the world who grieve this unthinkable loss,” the company tweeted on Thursday.ĭubai-based Action Aviation, the company owned by passenger Hamish Harding released a statement on behalf of his family. Our thoughts and prayers are with the Dawood family at this tragic time. “With heavy hearts and with great sadness, we grieve the loss of our Vice Chairman, Shahzada Dawood, and his beloved son, Suleman Dawood. The Coast Guard official also thanked experts and agencies for assisting with the search for the Titan submersible. He said teams had the appropriate gear and worked as quickly as possible. Response: Mauger applauded the “huge international” and “interagency” search effort.The Coast Guard official said the agency will eventually have more information about what went wrong and its assessment of the emergency response. It will take time to determine a specific timeline of events in the "incredibly complex" case of the Titan's failure, Mauger said. What comes next: The remotely operated vehicles will remain on the scene and continue to gather information, Mauger said.Mauger, for his part, said rescuers had sonar buoys in the water for at least the last 72 hours and had "not detected any catastrophic events." Listening devices set up during the search also did not record any sign of an implosion, Mauger added. But the sound was determined to be “not definitive,” the official said. Timing: The US Navy detected an acoustic signature consistent with an implosion on Sunday and relayed that information to the commanders leading the search effort, a senior official told CNN.As of now, there does not appear to be a connection between the banging noises picked up by sonar earlier this week and where the debris was found. The debris was "consistent with the catastrophic loss of the pressure chamber" and, in turn, a " catastrophic implosion," he said. Debris: The remotely operated vehicle found " five different major pieces of debris" from the Titan submersible, according to Paul Hankins, the US Navy's director of salvage operations and ocean engineering. ![]() ![]() ![]() He kept jumping up from his chair to forage for books or articles that could buttress a point. ![]() “Physics,” he exclaimed, grabbing a book from a table and slamming it down, “is that!” “Subjectivism” has no place in physics, quantum or otherwise, he informed me. “I don’t believe a word of it,” he declared in a German-accented growl. He brandished an article I had written for Scientific American about how quantum mechanics is raising questions about the objectivity of physics. Yet he was as kinetic as a bantamweight boxer. I had assumed the author of such autocratic prose would be tall. I was trying to lower my expectations when Popper made his entrance. I should expect to speak to him for only an hour at the most. He had endured many interviews and congratulations brought on by his 90th birthday last month, and he had been toiling over an acceptance speech for the Kyoto Prize, known as Japan's Nobel. As she led me into the house, she told me that Sir Karl was tired. Mew was only slightly less forbidding in person than over the telephone. He knew the street on which Popper lived, however, and we found Popper's home, a two-story cottage surrounded by neatly trimmed lawn and shrubs, with little difficulty.Ī tall, handsome woman with short dark hair, wearing black pants and shirt, answered the door. Sir Karl Popper? The famous philosopher? Never heard of him, the driver said. “Sir Karl Popper's house, please,” I said as I climbed into a cab at the train station. Mew assured me that all the cab drivers knew where Sir Karl lived. When I asked for directions from a nearby train station, Mrs. After numerous faxes and calls, she set a date. She gave me a list of a dozen or so books by Sir Karl that I should read before the meeting. Mew, housekeeper and assistant to “Sir Karl.” Before he would see me, I had to send her a sample of my writings. When I called, a woman with an imperious, German-accented voice answered. A secretary said he generally worked at his home in a London suburb. To arrange an interview, I telephoned the London School of Economics, where Popper had taught since the late 1940s. There was an old joke about Popper: The Open Society and its Enemies should have been titled The Open Society by One of its Enemies. Everyone said this opponent of dogmatism was almost pathologically dogmatic. Queries of this kind usually elicit dull, generic praise, but not in Popper’s case. I began to discern the paradox lurking at the heart of Karl Popper's career when, prior to interviewing him in 1992, I asked other philosophers about him. And if you like this style of journalism, keep an eye out for my new book Mind-Body Problems: Science, Subjectivity & Who We Really Are, which I plan to publish soon for free at. Please also check out my profiles of two other great philosophers of science, Thomas Kuhn and Paul Feyerabend. Defenders of strings and multiverses deride critics as “Popperazzi.” Given the abiding interest in this complex thinker, I am posting an edited version of my profile of Popper in The End of Science. Popper’s falsification principle has been used to attack string and multiverse theories, which cannot be empirically tested. Open Society has been invoked lately by those concerned about the rise of anti-democratic forces. In The Open Society and Its Enemies, published in 1945, Popper asserted that politics, even more than science, must avoid dogmatism, which inevitably fosters repression. Observations can only disprove a theory, or falsify it. But scientists can never prove a theory to be true, Popper insisted, because the next test might contradict all that preceded it. The latter, Popper pointed out, make predictions that can be empirically tested. He is best-known for the principle of falsification, a means of distinguishing pseudo-scientific theories, like astrology and Freudian psychoanalysis, from genuine ones, like quantum mechanics and general relativity. Popper, 1902-1994, railed against dogmatism in all forms. The world has been paying lots of attention to philosopher Karl Popper lately, although surely not as much as he would think he deserves. ![]() ![]() ![]() Old version, no longer maintained: Java SE 6 Old version, no longer maintained: Java SE 5 ![]() Old version, no longer maintained: J2SE 1.4 Old version, no longer maintained: J2SE 1.3 Old version, no longer maintained: J2SE 1.2 ![]() Old version, no longer maintained: JDK 1.1 Old version, no longer maintained: JDK 1.0 The next LTS release, Java 21, is scheduled for release on September 19, 2023. Java 17, the latest (3rd) LTS, was released on September 14, 2021. For Java 11, long-term support will not be provided by Oracle for the public instead, the broader OpenJDK community, as Eclipse Adoptium or others, is expected to perform the work. Java 8 LTS the last free software public update for commercial use was released by Oracle in March 2022, while Oracle continues to release no-cost public Java 8 updates for development and personal use indefinitely. Regarding Oracle Java SE Support Roadmap, version 20 is the latest one, and versions 17, 11 and 8 are the currently supported long-term support (LTS) versions, where Oracle Customers will receive Oracle Premier Support. Some programs allow conversion of Java programs from one version of the Java platform to an older one (for example Java 5.0 backported to 1.4) (see Java backporting tools). Entire new APIs, such as Swing and Java2D, have been introduced, and many of the original JDK 1.0 classes and methods have been deprecated. In addition to the language changes, other changes have been made to the Java Class Library over the years, which has grown from a few hundred classes in JDK 1.0 to over three thousand in J2SE 5. This proposal took effect for all following versions, and is still the current release schedule. In September 2017, Mark Reinhold, chief Architect of the Java Platform, proposed to change the release train to "one feature release every six months" rather than the then-current two-year schedule. The language is specified by the Java Language Specification (JLS) changes to the JLS are managed under JSR 901. Since J2SE 1.4, the evolution of the Java language has been governed by the Java Community Process (JCP), which uses Java Specification Requests (JSRs) to propose and specify additions and changes to the Java platform. The Java language has undergone several changes since JDK 1.0 as well as numerous additions of classes and packages to the standard library. This article is about the Java programming language. ![]() |
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